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On The Table: The Flying Burrito Brothers "The Gilded Palace of Sin"

Vance Hiner reviews the 2017 180g Intervention Records Remaster

Flying Burrito Bros The Gilded Palace of Sin Front Jacket

2017 Intervention Records Remaster

Catalog # IR-012

100% Analog Mastering

Mastering: Kevin Gray

33 ⅓ rpm, 180 gram vinyl pressing

1969 release A&M Records # SP 4175

It’s sometimes difficult to imagine that now-familiar delicious combinations remained unknowable as recently as a few decades ago.

In the early 60s, the amalgamation of traditional country music and rock n’ roll represented a bridge too far. Hippies playing pedal-steel guitars seemed as unlikely as hearing Marshall stacks playing in the Vatican.

Gram Parsons, Chris Hillman, and Roger McGuinn deserve the lion’s share of credit for busting such taboos on the Byrds’ 1968 landmark Sweetheart of the Rodeo.

Parsons and Hillman’s subsequent co-founding of the Flying Burrito Brothers pushed those boundaries even further a year later on The Gilded Palace of Sin, a charmingly eccentric collection of high-and-lonesome harmonies, western twang, and steady backbeats.

Cosmic American Music

While the songwriting isn’t quite up to the heights achieved on Sweetheart of the Rodeo, The Gilded Palace of Sin feels more innovative and progressive. From “Sneeky Pete” Kleinow’s psychedelic pedal-steel work to its irreverent tone and lyricism, the record rings true to Parsons’ “cosmic American music” billing.

Flying Burrito Bros The Gilded Palace of Sin On The Table

Given the band members’ appetite for illicit drugs—Parsons’ famous Nudie suit was emblazoned with sequined images of red poppies, marijuana leaves, and Seconal tablets—it’s no wonder the album always sounded a little off-kilter.

No longer.

For Intervention Records’ reissue, engineer Kevin Gray used the half-inch safety copy of the analog master tape to clear away the haze and fog. Unlike some efforts to refurbish a recording, this version avoids any anti-septic sonics.

Aromatic, 3-Dimensional Harmonies

Drop your needle on “Sin City” and be prepared to smell wafting aromas of sinsemilla, mesquite, and sage brush as you’re transported to the rugged backroads outside of Joshua Tree.

While Gray couldn’t address the strange decision to occasionally pan Parsons and Hillman’s vocals hard right and left, their harmonies are now three-dimensional. Hillman’s under-appreciated and melodic bass lines also feel more present, making every track an addictive pleasure.

Flying Burrito Bros The Gilded Palace of Sin Back Jacket

Intervention’s sumptuous tip-on artwork makes Barry Feinstein’s tongue-in-cheek cover photograph even more vivid.

You can’t appreciate the full measure of The Gilded Palace of Sin until you hear this quiet, ruler-flat pressing.

Republished Courtesy of


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